本日は1/13、14 新木場STUDIO COASTでの『Free-Will SLUM』に出演するDIR EN GREY薫さん、蜉蝣kazuさん、BAROQUE圭さん、メリー結生さん、それぞれの関係性から衝撃の逸話まで、感慨深くも期待が高まるお話をたっぷり伺いました。『Free-Will SLUM』チケットは eplus で発売中！
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Today we have talked to Kaoru from DIR EN GREY, kazu from Kagerou, Kei from BAROQUE and Yuu from Merry, who will perform at ‘Free-Will SLUM’ at Shinkiba STUDIO COAST on January 13th and 14th, we heard many moving and exciting stories from the relationship between them to shocking anecdotes. Tickets for the event are on sale on eplus!
Imagine how many people’s lives they ruined. There were probably so many women that went in there knowing they destroyed that test. Yet, when they got their results back…they had to be so confused and disappointed. Mentally and emotionally, that had to be quite the blow. Anyway, this is evil.
This is so evil lmfaoooooo like the world really hates women and we can’t even do anything about it. How depressing.
Not just the lives of the women though. Think of the people their medical advancement, learning, studying, could have gone on to save. Think of the lives they could have helped.
think of the under-qualified men who got these positions instead and went on to kill people. the whole reason this was even discovered is this university was accused of doctoring grades to let the son of politically connected man enroll when he was not qualified. literally sabotaging communities.
Aries: A harbinger of death and ill tidings, a specter of ill fortune across almost every culture on earth. Very pettable.
Taurus: Something long lived. So long lived that its scales have layers like the earths crust. Long forgotten weather systems trapped beneath its hide.
Gemini: One of many, or many of one, or a single part of a larger but singular whole. The roots go deep.
Cancer: Four black wings like a storm, talons remarkably like whaling hooks and a face of flawless white porcelain.
Leo: An artificial guardian that completed its job too well. It fears fire.
Virgo: A collector of the blind and lost. Those who could see its face would never trust it.
Libra: What used to be worshiped as a god of the hunt, now trapped in a tangle of roots and cabled under a post-soviet radio tower.
Scorpio: Something that can speak several things at once. Its voice is maddening but it desires companionship.
Ophiuchus: Something that seems to think it is a doctor of some sort.
Sagittarius: Bits of feeling and memory from a thousand thousand wearers simply expanding to fill the space.
Capricorn: Something that learned its purpose and then proceeded to hunt and kill the person responsible.
Aquarius: A memory of something. As it moves it leaves an afterimage.
Pisces: Something that was never supposed to happen, an accidental production of a horrible process. Beauty from nothing.
9 of the 15 “Black Paintings” that covered the walls of Goya’s home.
The Black Paintings (Spanish: Pinturas negras) is the name given to a group of fourteen paintings by Francisco Goya from the later years of his life, likely between 1819 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
In 1819, at the age of 72, Goya moved into a two-story house outside Madrid that was called Quinta del Sordo (Deaf Man’s Villa). Although the house had been named after the previous owner, who was deaf, Goya too was nearly deaf at the time as a result of an illness he had suffered when he was 46. The paintings originally were painted as murals on the walls of the house, later being “hacked off the walls and attached to canvas.” Currently they are held in the Museo del Prado in Madrid.
After the Napoleonic Wars and the internal turmoil of the changing Spanish government, Goya developed an embittered attitude toward mankind. He had a first-hand and acute awareness of panic, terror, fear and hysteria. He had survived two near-fatal illnesses, and grew increasingly anxious and impatient in fear of relapse. The combination of these factors is thought to have led to his production of the fourteen works known collectively as the Black Paintings.
Using oil paints and working directly on the walls of his dining and sitting rooms, Goya created works with dark, disturbing themes. The paintings were not commissioned and were not meant to leave his home. It is likely that the artist never intended the works for public exhibition: “…these paintings are as close to being hermetically private as any that have ever been produced in the history of Western art.”
Goya did not give titles to the paintings, or if he did, he never revealed them. Most names used for them are designations employed by art historians.
my femme girlfriend: [hour and a half later] ok I’m ready to leave the house
me: [throwing on shorts and a tank top] okay baby i love you and you look so pretty
My overdressed butch ass: [hour and a half later] ok I’m ready to leave the house
My femme girlfriend: [throwing on a sundress and head scarf] okay baby I love you and you look so handsome
Me: [after spending 6 hours on my hair and makeup] Babe I’m ready to head out now
My femme wife: [who has also taken 6 hours] Okay babe I love you I’m ready and your highlight is poppin severely but you need to blend that contour in a little bit
Me: [fixing her eyebrows] I love you
my overdressed butch ass: [hour and a half later] ok love im ready to leave the house
my equally overdressed femme girlfriend: [also hour and a half later] okay baby i love you we’re both so pretty
Me: [10 minutes and a tank top later] ok babe let’s go
My equally lazy butch girlfriend: [also 10 minutes and a tank top later] I love you honey but we gotta stop taking each other’s tank tops
